Mai Fukagawa is a Japanese actress and singer who was born on March 29, 1991, in Iwata, Shizuoka Prefecture, Japan. She made her debut as a first-generation member of the all-female J-pop group Nogizaka46. She graduated from the group in 2016 and has gone on to become an established actress, starring in a number of films and television dramas, including “Risky” (2021) and “Only Just Married” (2021).

Mai Fukagawa

The beheaded corpse of a man is found in Tokyo. His body appears to have been cut with an almost impossibly sharp blade. But there is one baffling detail about this case: There is no sign of blood around the cut. A young and ambitious female news reporter named Mio Sanjo (Mai Fukagawa) tries to get to the bottom of the case – only to witness a horrific plume of what looks like filthy black dust gushing from the wound. The police officers cannot see this dust, but Mio Sanjo knows that her eyes are not deceiving her...

She soon learns that two mysterious men named Kakeru Osagami (Saotome Taichi) and Sho Iotsu (Endo Yuya) can also “see” this black filth – and have a very keen interest in it! It turns out that Kakeru Osagami is a “blade master” who is on the hunt for the sword that cut the man. He has a deadly quest: Hunting down these so-called “filth blades,” which have been forged from human evil and can corrupt the souls of those who wield them. But with every blade he neutralizes, Kakeru Osagami absorbs some of the “filth.” Can he wipe out all of the blades before the “filth” consumes him?

“The Sealer” is a 2022 drama series that was directed by Fujii Michihito and Kuwajima Kenji.

The Sealer

At twenty-seven, Akiha Okada (Nana Seino) is perfectly content with her life. A successful designer at Morita Design, Akiha literally has her dream job, has a great working relationship with her colleagues, and is just as happy in her personal life as she is her professional one.&nbsp;Having endured a number of bad relationships in the past, Akiha has come to the conclusion that the single life is best, especially when she has so many friends who love and support her. The only problem is that her grandmother is constantly hounding her to get married.&nbsp;

Despite her grandmother’s wishes, Akiha is happiest on her own and is in absolutely no rush to get married. Which is why she has no qualms about rejecting Shu Momose’s (Kentaro Sakaguchi) proposal, when he offers her his hand in marriage. A diligent, reliable man, with a good job and good looks, Shu has a lot to offer a woman, but his sudden proposal to Akiha at a drinking party is nothing short of ridiculous. With his own reasons for wanting to marry, Shu sees Akiha as a means to an end, and sees no reason why he should waste any more time searching for someone else. Despite her initial rejection, Akiha finds herself reconsidering Shu’s proposal when he agrees to pay her five million yen in exchange for her hand. Knowing the money will completely change her grandmother’s life, Akiha finds herself unable to say no.&nbsp;

Now a registered married couple, Akiha and Shu find adjusting to married life is a bit more challenging than either imagined, especially when their initial feelings of indifference slowly begin to morph into something wholly unexpected. Could it be that their fake marriage is actually the path they needed to take to find true love?

A fun romantic romp, “ONLY JUST MARRIED” is a 2021 Japanese romantic comedy drama directed by Fuminori Kaneko and Kentaro Takemura.

ONLY JUST MARRIED

Love Under Contract team 

Toru Sakurai (Yuki Furukawa) is a scheming, high-flying social climber who is a rising star at a major, big-money trading company. He is engaged to Mika Kuroda (Rio Yamashita), another cunning and ruthless individual with a reputation for getting what she wants at all costs. Toru Sakurai, however, has begun an affair with a woman named&nbsp;Kanata Hirose (Fukagawa Mai), whose parents died when she was younger, leaving her to take sole care of her younger sister. This relationship takes an unwanted turn for&nbsp;Toru Sakurai, however, and both he and Mika Kuroda take drastic action. The consequences are dire, and&nbsp;Kanata Hirose vanishes from the scene, in an apparent suicide.

But Kanata Hirose’s sister, Hinata Hirose (Minori Hagiwara), vows to take revenge, and attempts to enlist the help of her childhood friend Mitsutoshi Asai (Miyachika Kaito). What follows is a deadly game of cross and double-cross, as the vengeful Hinata Hirose attempts to derail the success of the people who drove her sister to her apparent death. But in this dark web of secrets, lies, and betrayal, nobody is safe from the ever-present threat of deception…

This drama was based on a manga series of the same name that was serialized from 2018 to 2019.

“RISKY” is a 2021 Japanese drama series that was directed by Hiroto Hara and Tatsunori Sato.

RISKY

💔 The Sweet Revenge🩸

Kazuma Saito (Tomoya Nakamura) is a young man whose life was changed forever after he was involved in a traffic accident at elementary school. He has developed seven totally distinct personalities named after each day of the week. None of these personalities has any recollection of what the other did, and none can communicate with one another – save via sticky notes and a journal. While one is a fast-living rock band member with a penchant for alcohol, women, and cigarettes, the next is a shy, clean-living young man. Another is a budding sports enthusiast...and so on. The personalities are so different that they have their own shoes, toothbrushes, clothes, and desks.

But life gets complicated for all of them when one of their number – Wednesday – suddenly goes missing. Who will fill in for Wednesday? Will the role fall to Tuesday? Can there be a week without a Wednesday? The remaining personalities try to answer these questions and fix the problem before it threatens to consume them all. Tuesday looks into solutions that include an experimental surgery that could put an end to these problems once and for all – but is this risk really worth taking?

“Gone Wednesday” is a 2020 Japanese movie that was directed by Kohei Yoshino.

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