Won Gyeong (Cha Joo Young), a daughter of the prestigious Min family, is intelligent and ambitious. She marries Yi Bang Won (Lee Hyun Wook), the fifth son of King Tae Jo, who aspires to ascend the throne. However, his father designates his second son as the next king instead, spurring Won Gyeong and Bang Won to make alternate plans. Won Gyeong successfully becomes a "King Maker" by helping Bang Won become the third King of Joseon, establishing a new regime together. After Bang Won becomes the king, however, he continuously betrays their family and her love by taking in more concubines. Nevertheless, Won Gyeong will not be swayed from her desire to change the world. This drama was based on the true historical regime of Queen Won Gyeong and King Tae Jong of Joseon.

Luis (Chani), a world-famous idol, constantly fears losing his top spot to the rising idol group "N/S". Min Si Woo (Hwi Young), once a reluctant audition participant, now a member of N/S, vowed to become a better singer than Luis. His best friend Lee Soo Rin (Kang Min Ah), a content creator for the group, finds her life complicated when she unexpectedly crosses paths with Luis. Caught between Luis and Si Woo's competing influences, Soo Rin struggles to pursue her own dreams. As tensions rise and ambitions clash, the trio navigates the competitive world of K-pop, love, and personal aspirations. This is a 2022 South Korean romantic idol drama directed by Myung Hyun Woo.

Lee Ra El (Seo Yea Ji) idolized her brilliant father and stunning mother, but her world shattered when a ruthless plot led to her father’s death. Consumed by grief and a thirst for vengeance, Ra El targets Kang Yoon Kyum (Park Byung Eun), the CEO of the powerful LY Group who was instrumental in her family’s downfall. Her weapon? A high-stakes divorce battle worth $1.6 billion, aimed at dismantling Kang’s empire. As Ra El embarks on this 13-year quest for revenge, she must navigate a treacherous legal landscape and confront formidable adversaries. Will her meticulous plan bring the justice she seeks, or will the quest for retribution ultimately destroy her? This 2022 South Korean drama series was directed by Park Bong Seop.

When Pyo In Sook (Ahn Eun Jin) is diagnosed with a terminal illness, she hardly feels anything about it at all, despite having just months to live. She moves into hospice care, where she meets two other women: Sung Mi Do (Joy), a social media influencer, and Kang Se Yeon (Kang Ye Won), a frustrated housewife, who are also suffering from diseases. They encounter Min Woo Cheon (Kim Kyung Nam), an elite contract killer hiding deep emotional pain. United by their desire for revenge, the three women plan to eliminate those who have wronged them before their time runs out. However, as their friendship deepens and unexpected feelings develop between In Sook and Min Woo Cheon, their original plans begin to shift. This is a 2021 South Korean drama series directed by Oh Hyun Jong.

At 28, Jeong Jin (Nam Ji Hyun) seemed to have it all – a great job and a loving boyfriend – until a series of misfortunes turns her life upside down. Jobless and heartbroken, she reluctantly agrees to open a restaurant with her mother, but it ends up closing due to bankruptcy. Everything changes when she meets Jo Hee Ra (Song Ji Hyo), a sorceress with wish-granting powers. Agreeing to let Hee Ra use her failed restaurant, Jin watches as it transforms into a bustling hotspot, drawing in customers eager for Hee Ra’s magical dishes. However, as the restaurant flourishes, Jeong Jin begins to question the true cost of their success. With every wish granted, the stakes rise – can Jeong Jin navigate the fine line between dreams and reality, or will the price of ambition prove too steep? This 2021 Korean fantasy drama, adapted from the novel of the same name written by Goo Sang Hee, was directed by So Jae Hyun and Lee Soo Hyun.

Under the rule of King Gwang Hae, Ba Wu (Jung Il Woo), a scoundrel who makes a living stealing widows through bossam, accidentally kidnaps Su Gyeong (Kwon Yu Ri), the widowed princess. Framed for a crime in his youth and forced into hiding, Ba Wu has survived through gambling and fighting, never intending to marry. Now, unexpectedly stuck with the daughter-in-law of his sworn enemy, he finds his life taking an increasingly complicated turn. As their paths intertwine, Ba Wu must decide whether to return to his old life or embrace an unexpected connection with Su Gyeong. This is a 2021 South Korean historical romance drama directed by Kwon Seok Jang.

Shin Ho Yoon (Ki Do Hoon), a powerful god responsible for writing human destinies, decides to steal ideas from a screenplay by drama writer Go Chae Kyung (Jeon So Nee). He crafts a romantic fate pairing her with Jung Ba Reum (Kim Woo Seok), a kind-hearted television producer. Posing as Chae Kyung's landlord, Ho Yoon attempts to orchestrate their relationship. However, as he works to bring them together, he unexpectedly develops genuine feelings for Chae Kyung, potentially jeopardizing his own carefully constructed plan. This is a 2021 South Korean romantic comedy drama directed by Kim Byung Soo.

Living a precarious life as a part-timer at a convenience store, Ae Ri works to support her mother, who is on a waiting list for a heart transplant. Unfortunately, her mother's physical condition worsens, leading her to forgo the long-awaited opportunity for the transplant, yet just like that, her mother disappears. Things were already chaotic enough for Ae Ri, and then she receives a phone call from a strange man claiming he's 31 days in the future.

Yook Dong Shik (Yoon Shi Yoon), a timid brokerage employee, witnesses a gruesome murder and finds the killer's diary. After being accidentally hit by police officer Sim Bo Kyung (Jung In Sun), he develops amnesia and believes he might be the serial killer. Bo Kyung, plagued by guilt, becomes determined to find the real murderer and protect Dong Shik. As Dong Shik's personality begins to change, questions arise about whether he could truly become a monster and if the actual serial killer will strike again. This is a 2019 South Korean drama directed by Lee Jong Jae.

Mi Yeong, Hye Yeong, Ra Yeong, and Joon Yeong are the kids of Yeong Sil and Han Soo. They seem like the average Seoul family, with the typical Seoul problems, but that all changes when Jung Hui, an actor, and former K-Pop idol, ends up in their doorstep claiming that Han Soo is his biological father. The family goes through thick and thin, one marriage after the other, trying to figure out why their father happens to be strange.

Kim Jae Ha (Ji Chang Wook), a former mercenary turned fugitive, returns to Korea after being wrongfully accused of his girlfriend’s murder. Now a bodyguard for Choi Yoo Jin (Song Yoon Ah), the wife of a presidential candidate, Jae Ha seizes the opportunity to seek revenge on Park Gwan Soo (Kim Kap Soo), the rival politician he believes orchestrated the crime. When Jae Ha is asked to guard Go Anna (Yoona), the reclusive daughter of his boss’s husband, he finds himself torn between duty and the growing romance between himself and Anna. The stakes rise as he discovers that Yoo Jin, originally his ally in revenge, now harbors dangerous intentions towards Anna. Jae Ha must navigate a perilous path where loyalty, love, and justice collide. This 2016 South Korean drama series was directed by Kwak Jung Hwan.

Ta-da! A legendary mom who was a delinquent teenager goes to school to take it all! In a grey world of children marked with wounds, they are the mirrors of adults. Other main characters here are teenagers. Like the lyrics of a popular song children sing, the world is full of lies, and the school has become a prison without bars. Children do anything by fair means or foul for grades, deceive teachers by claiming parental authority, extort money from friends, and engage in violence. However, the world of such children is drawn here as it is, but the focus will be on the distorted portraits of adults that it reflects like a mirror. We should consider what a good adult is through the two faces of a mother who becomes a scary knife before corruption but a warm kitchen knife to children who are in despair for affection.