In this gripping melodrama, Goo Hae Ra (Lee Min Jung) initially approaches Tae In Joon (Joo Sang Wook) with hidden intentions of revenge, but unexpectedly falls deeply in love with him. Her world becomes complicated when she learns that Tae In Joon's family is connected to her sister's suicide attempt, plunging her into a moral quandary of love and vengeance. As the tension builds, Hae Ra struggles with her true motives and the potential consequences of her actions, wondering if her love can survive the revelation of her original plan. This is a 2018 South Korean melodrama directed by Jung Dong Yoon that explores the complex dynamics of love, betrayal, and redemption.

Lee Yeon Seo (Kim Ga Eun) is at the end of her tether with an inept line manager who blames her for his own mistakes while also failing to ensure she gets paid for her work. During an after-work drinking session, she lashes out at a man she thinks is her manager in the street. The man slumps to the ground, and she fears she has killed him. Even worse, her victim wasn’t her manager after all – but celebrity Kang Joon Hyeok (Sung Hoon). In panic, she drags the “body” home, but it turns out that Joon Hyuk isn’t dead. When he comes to, he thinks he’s been kidnapped. Afraid of the consequences, Yeon Seo tries to prevent him from escaping. Can she clear up the mess before it consumes her and her captive? This 2018 South Korean drama series was directed by Kwon Heok Chan.

Ta-da! A legendary mom who was a delinquent teenager goes to school to take it all! In a grey world of children marked with wounds, they are the mirrors of adults. Other main characters here are teenagers. Like the lyrics of a popular song children sing, the world is full of lies, and the school has become a prison without bars. Children do anything by fair means or foul for grades, deceive teachers by claiming parental authority, extort money from friends, and engage in violence. However, the world of such children is drawn here as it is, but the focus will be on the distorted portraits of adults that it reflects like a mirror. We should consider what a good adult is through the two faces of a mother who becomes a scary knife before corruption but a warm kitchen knife to children who are in despair for affection.